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City folk shouldn't go driving through luscious valleys during moonlight hours unless they want to buy a farm home. At least that was the conclusion of June Platt, House & Garden's Cooking Editor. She and her husband were traveling home to New York after Thanksgiving, when they spotted a beautiful 200 year-old farmhouse in New Jersey. They were soon proud owners and spent the summer renovating. This shot, taken by renowned architectural photographer Samuel Gottscho for the January 1939 House & Garden, shows Platt in her new kitchen contentedly making strawberry jam.
Digitally Printed on Archival Photographic Paper resulting in vivid, pure color and exceptional detail that is suitable for museum or gallery display.
City folk shouldn't go driving through luscious valleys during moonlight hours unless they want to buy a farm home. At least that was the conclusion of June Platt, House & Garden's Cooking Editor. She and her husband were traveling home to New York after Thanksgiving, when they spotted a beautiful 200 year-old farmhouse in New Jersey. They were soon proud owners and spent the summer renovating. This shot, taken by renowned architectural photographer Samuel Gottscho for the January 1939 House & Garden, shows Platt in her new kitchen contentedly making strawberry jam.
Digitally Printed on Archival Photographic Paper resulting in vivid, pure color and exceptional detail that is suitable for museum or gallery display.
City folk shouldn't go driving through luscious valleys during moonlight hours unless they want to buy a farm home. At least that was the conclusion of June Platt, House & Garden's Cooking Editor. She and her husband were traveling home to New York after Thanksgiving, when they spotted a beautiful 200 year-old farmhouse in New Jersey. They were soon proud owners and spent the summer renovating. This shot, taken by renowned architectural photographer Samuel Gottscho for the January 1939 House & Garden, shows Platt in her new kitchen contentedly making strawberry jam.
Digitally Printed on Archival Photographic Paper resulting in vivid, pure color and exceptional detail that is suitable for museum or gallery display.
City folk shouldn't go driving through luscious valleys during moonlight hours unless they want to buy a farm home. At least that was the conclusion of June Platt, House & Garden's Cooking Editor. She and her husband were traveling home to New York after Thanksgiving, when they spotted a beautiful 200 year-old farmhouse in New Jersey. They were soon proud owners and spent the summer renovating. This shot, taken by renowned architectural photographer Samuel Gottscho for the January 1939 House & Garden, shows Platt in her new kitchen contentedly making strawberry jam.
Digitally Printed on Archival Photographic Paper resulting in vivid, pure color and exceptional detail that is suitable for museum or gallery display.
City folk shouldn't go driving through luscious valleys during moonlight hours unless they want to buy a farm home. At least that was the conclusion of June Platt, House & Garden's Cooking Editor. She and her husband were traveling home to New York after Thanksgiving, when they spotted a beautiful 200 year-old farmhouse in New Jersey. They were soon proud owners and spent the summer renovating. This shot, taken by renowned architectural photographer Samuel Gottscho for the January 1939 House & Garden, shows Platt in her new kitchen contentedly making strawberry jam.
The premium giclée print is produced on thick (310 gsm), textured watercolor paper made from alpha cellulous wood pulp that is acid free. It shares the same vivid colors, accuracy, and exceptional resolution that make giclée prints the standard for museums and galleries around the world.
The premium photographic print is digitally printed on high-gloss premium photographic paper. The result is a unique silver pearlescent finish with stunning visual impact and depth, suitable for museum or gallery display.
The stretched canvas print is the result of sophisticated digital printing technology in which the image is printed directly onto an artist-grade, 100% cotton canvas. The canvas is then expertly stretched around 1.5" wooden bars and carefully finished with hand-painted edges. An acrylic coating protects the stunning giclée print from dust, moisture and fading. (Canvas may not be available for all prints.)
City folk shouldn't go driving through luscious valleys during moonlight hours unless they want to buy a farm home. At least that was the conclusion of June Platt, House & Garden's Cooking Editor. She and her husband were traveling home to New York after Thanksgiving, when they spotted a beautiful 200 year-old farmhouse in New Jersey. They were soon proud owners and spent the summer renovating. This shot, taken by renowned architectural photographer Samuel Gottscho for the January 1939 House & Garden, shows Platt in her new kitchen contentedly making strawberry jam.
The premium giclée print is produced on thick (310 gsm), textured watercolor paper made from alpha cellulous wood pulp that is acid free. It shares the same vivid colors, accuracy, and exceptional resolution that make giclée prints the standard for museums and galleries around the world.
The premium photographic print is digitally printed on high-gloss premium photographic paper. The result is a unique silver pearlescent finish with stunning visual impact and depth, suitable for museum or gallery display.
The stretched canvas print is the result of sophisticated digital printing technology in which the image is printed directly onto an artist-grade, 100% cotton canvas. The canvas is then expertly stretched around 1.5" wooden bars and carefully finished with hand-painted edges. An acrylic coating protects the stunning giclée print from dust, moisture and fading. (Canvas may not be available for all prints.)
City folk shouldn't go driving through luscious valleys during moonlight hours unless they want to buy a farm home. At least that was the conclusion of June Platt, House & Garden's Cooking Editor. She and her husband were traveling home to New York after Thanksgiving, when they spotted a beautiful 200 year-old farmhouse in New Jersey. They were soon proud owners and spent the summer renovating. This shot, taken by renowned architectural photographer Samuel Gottscho for the January 1939 House & Garden, shows Platt in her new kitchen contentedly making strawberry jam.
The premium giclée print is produced on thick (310 gsm), textured watercolor paper made from alpha cellulous wood pulp that is acid free. It shares the same vivid colors, accuracy, and exceptional resolution that make giclée prints the standard for museums and galleries around the world.
The premium photographic print is digitally printed on high-gloss premium photographic paper. The result is a unique silver pearlescent finish with stunning visual impact and depth, suitable for museum or gallery display.
The stretched canvas print is the result of sophisticated digital printing technology in which the image is printed directly onto an artist-grade, 100% cotton canvas. The canvas is then expertly stretched around 1.5" wooden bars and carefully finished with hand-painted edges. An acrylic coating protects the stunning giclée print from dust, moisture and fading. (Canvas may not be available for all prints.)
City folk shouldn't go driving through luscious valleys during moonlight hours unless they want to buy a farm home. At least that was the conclusion of June Platt, House & Garden's Cooking Editor. She and her husband were traveling home to New York after Thanksgiving, when they spotted a beautiful 200 year-old farmhouse in New Jersey. They were soon proud owners and spent the summer renovating. This shot, taken by renowned architectural photographer Samuel Gottscho for the January 1939 House & Garden, shows Platt in her new kitchen contentedly making strawberry jam.
The premium giclée print is produced on thick (310 gsm), textured watercolor paper made from alpha cellulous wood pulp that is acid free. It shares the same vivid colors, accuracy, and exceptional resolution that make giclée prints the standard for museums and galleries around the world.
The premium photographic print is digitally printed on high-gloss premium photographic paper. The result is a unique silver pearlescent finish with stunning visual impact and depth, suitable for museum or gallery display.
The stretched canvas print is the result of sophisticated digital printing technology in which the image is printed directly onto an artist-grade, 100% cotton canvas. The canvas is then expertly stretched around 1.5" wooden bars and carefully finished with hand-painted edges. An acrylic coating protects the stunning giclée print from dust, moisture and fading. (Canvas may not be available for all prints.)
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